
Anyone who writes with the flourish and intensity of John Wall Barger deserves to be read and re-read. His ability to linger over a scene, to ruminate over its history and give himself over to the poetic impulse is complete and genuine. That capacity reaches its apex in the title poem of Hummingbird, a wild subterranean journey into the underbelly of modern Mexico that takes as its model similar descents in the works of Homer, Virgil, and Dante:
…I turn to face Octavio Paz,
eyes broad & generous, he takes
my hand—where are we going? I ask
he smiles, leads me back to market,
now a blueprint of hell, mobs of urban nomads,
lawyers, fishermen, scabby-headed urchins
converge on a man in a straw costume
panting, bleeding at the mouth…